Rani Mukerji's friends make sure to stand by her side at her father Ram Mukherjee's prayer service.
It's #ThrowbackThursday, and Bollywood has got the memo!
SRK's persona and brand power has been built over nearly 30 years of public acclaim and love. Brands perhaps believe that his troubles are transitory and that as a human brand he has long legs capable of striding over controversies, explains ad guru Sandeep Goyal.
Anil Kapoor and his wife Sunita invited the pretty ladies of Bollywood to their home to celebrate Karva Chauth.
The hits and misses of the week.
A look at the red carpet arrivals.
Will we see a Baahubali kind of blockbuster this year?
The digital platform Zee5 completed two years, and threw an anniversary party for its stars.
Here is a list of some activities you can do in the park in Bollywood style!
On that note, Sukanya Verma lists 10 times when Bollywood assembled a bevy of evil-doers to make life hell for its leading man.
If Pahlaj Nihalani glanced back at his own filmography as producer, by his own brand new standards; the man would have a hard time approving the extent of vulgarity and provocation they contained.
'When I contracted COVID and was extremely unwell, I almost thought I was not going to make it.' 'But this man (Karan Johar) was like family for us in Bombay. He would send doctors for me, made sure my medication was done correctly and made sure I came out of COVID.'
Sukanya Verma looks at notable troikas in Bollywood's catalog of three hero vehicles.
Malaika Arora invited her friends to celebrate her 46th birthday, and what a turnout it was!
Arpita Khan and Aayush Sharma sure know how to throw a party.
'I consider everyone my competition.'
'In the new Bollywood, where success can translate, like a chain reaction, into gains in related fields, mere appearance on the screen is no longer a guarantor of fame,' says Vikram Johri.
Ananya Panday has been again called by the NCB on Monday, a senior NCB official said.
'Access is such a big step.' 'But once you enter those rooms, it's up to what you do in those rooms.' 'Film-making is a very expensive business and they will not put money into people they don't believe in.' 'So talent speaks at the end of the day.'
In its preoccupation with drama, Begum Jaan neglects to reveal its soul, feels Sukanya Verma.
Sukanya Verma lists her five BEST and WORST Bollywood movies of 2019.
A look at the top tweets from your favourite Bollywood celebrities.
Even with an ongoing pandemic, theatres in many states functioning at 50 per cent occupancy, a quieter social life and fewer movies, Bollywood still managed to pack in plenty of drama and trauma, fun and festivity, love and war into the year.
'In 1983, my father T Rama Rao made Andha Kanoon with Rajinikanth.' 'Amitabh Bachchan was reluctant to come on board as a guest star, as Rajinikanth was a southern star.' 'But when my father pitched it to him, he came on board.' 'The movie ran for 200 days.'
Bollywood actor Salman Khan's lawyer on Saturday accused the prosecution of cooking up a false story that he ran away from the spot after his car rammed into a bakery in suburban Bandra killing one person and injuring four others on September 28, 2002.
The celebrities offer their condolences.
Bala creates a world so mad yet meticulous and unlike no other in Mard Ko Dard Nahi Hota, raves Sukanya Verma.
There's no head or tails to anything that happens in Saaho, says Sukanya Verma.
Bollywood remembers their daddies on Father's Day.
Gang Of Ghosts is one of those films that falls in the category of a bad remake, says Sonil Dedhia.
Begum Jaan makes a lot of noise, cuts a lot of throats, but sucks up to kiddie-ideas of history and revolution, feels Sreehari Nair.
Besharam is so unbelievably sloppy and senseless, not even the best actors in the business can redeem it.
There were a lot of Diwali parties this festive season, and Bollywood made sure to look glamorous for each and every one.
All the fun from the birthday celebrations, right here...
Her elfin face could be seen and once more after many days the victim of this murder had a face and a presence.
